Broadside's latest album "Hotel Bleu" stands as a testament to pop-punk's enduring charm, and it's clear from the outset that these guys have managed to keep their punk roots intact while delivering a polished, more mature sound. Right from "Stranger," the opener that adds a hint of theatricality to their DIY punk ethos, the band sets the tone for an album that's all about leveling up without losing touch with what makes pop-punk so irresistibly catchy.

"Dazed And Confused" dials back the complexity for a laid-back feel that grows into a full-fledged anthem, showcasing the band's ability to craft singalong hooks that are both easy to digest and hard to forget. It’s evident throughout the album that Broadside isn't afraid to experiment with their sound. Take "Don’t Lose Faith," with its dreamlike haze, or the dynamic "One Last Time," which could be a nod to Sleeping With Sirens in its high-octane choruses that plunge into mellow verses, offering a rollercoaster of emotions packed into one song.

Guest features dot the album, giving tracks like "Cruel" with Brian Butcher and "Bang" featuring Josh Roberts a fresh dynamic, while the introspective "Bleu" wraps the journey in a beautifully melancholic bow. This album may be poppier and danceable at moments, but the rock undercurrents are undeniably potent, especially in tracks like "Feel Love," which infuses an almost danceable groove beneath the vibrant guitars and spirited vocals.

"Hotel Bleu" captures Broadside's growing pains and pleasures in crafting music that's true to them. It's an album that reflects a band not content to rest on their laurels but one that's ready to push their boundaries while staying true to their pop-punk heart. Whether you're here for the infectious choruses, the collaborative creativity, or the varied emotional landscapes, "Hotel Bleu" promises to resonate with listeners who appreciate the blend of sincerity and sonic evolution. This isn't just a pop-punk record—it's a showcase of Broadside's journey and their determination to grow without losing the edge that makes them, well, them.